TRANSFORMERS: Dark of the Moon Review – The Good & The Bad

I’m a big fan of the Transformers franchise (even the rotten apples, as you can see), so I was excited to see the third installment in the series. But I was a bit disappointed (though not surprised). Transformers: Dark of the Moon is a visually stunning but ultimately empty and soulless film.

The film picks up two years after the events of Transformers: Revenge of the Fallen. The Autobots are now living in peace with humans on Earth, but their truce is threatened when the Decepticons return to Earth in search of a powerful artifact known as the Allspark.

The Autobots and Decepticons race to find the Allspark, and the fate of Earth hangs in the balance. The film features a number of new Transformers, including the Autobots Shockwave and Sideswipe, and the Decepticons Soundwave and Starscream.

The actors in Transformers: Dark of the Moon did their best with what they were given. Shia LaBeouf was fine as Sam Witwicky, but he didn’t have much to work with. Rosie Huntington-Whiteley was a bit wooden as Carly Spencer, but she was also pretty to look at. Josh Duhamel and John Turturro were both good as Lennox and Simmons, respectively. And John Malkovich was surprisingly good as Sentinel Prime. But then again, John Malkovich is great in pretty much everything he’s ever been in.

The real stars of the show, however, were the Transformers themselves. The voice acting was top-notch, and the CGI was incredible. The Transformers were brought to life in a way that had never been seen before, and they were the highlight of the film.

The film’s visual effects are stunning, and the action sequences were great (if a bit convoluted). But the film is also loud, overlong, and poorly paced. The plot is nonsensical, the characters are one-dimensional, and the dialogue is cringe-worthy.

The music and sound effects were top-notch. The score by Steve Jablonsky was epic and action-packed, and it really helped to set the tone of the film. The sound effects were also incredible, and they helped to bring the Transformers to life. The roar of Optimus Prime’s engine, the whine of Megatron’s fusion cannon, and the clang of metal on metal were all perfectly captured, and they made the film even more exciting.

The score is used to build suspense and excitement in the action sequences (that sort of suspense when you get a no deposit bonus to play for free and win real money). For example, during the scene where Optimus Prime fights Megatron on the moon, the score builds to a crescendo as the two robots battle. This helps to create a sense of urgency and excitement, and it makes the fight even more thrilling.

The sound effects are used to create a sense of realism and immersion. For example, when Optimus Prime transforms from a truck to a robot, the sound effects are used to create the illusion that he is actually changing shape. This helps to make the Transformers feel real, and it makes the film more believable.

Transformers: Dark of the Moon is a visually stunning film with some great action sequences. However, it’s also loud, overlong, and poorly paced. The plot is a mess, the characters are one-dimensional, and the dialogue is cringe-worthy. If you’re a fan of the Transformers franchise, you’ll be disappointed (or not). I can’t recommend it to anyone who is looking for a film with a good story, well-developed characters, and intelligent dialogue.

If you’re looking for a mindless action movie to enjoy, then you might find something to like in Transformers: Dark of the Moon. The visual effects are stunning, and the action sequences very nice (if a bit convoluted). The film’s 3D is also well-done, and it really adds to the experience (if you’ve got the hardware for it).

Overall, Transformers: Dark of the Moon is a mixed bag. It has some great elements, but it also has some major flaws. If you’re a fan of the Transformers franchise, you might want to check it out, but if you’re not, then you’re probably better off skipping it.

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About Marcos Codas 44 Articles
Lover of portable gaming and horror cinema. Indie filmmaker and game developer. Multimedia producer. Born in Paraguay, raised in Canada. Huge fan of "The Blair Witch Project", and "Sonic 3D Blast". Deputy head at Vita Player and its parent organization, Infinite Frontiers. Like what I do? Donate a coffee: https://www.paypal.me/marcoscodas